
Jeanne and I are at Leadership, Arts, and Sports Spectacular in Lamoni, Iowa. Jeanne has been teaching watercolor all week. I was holding down the dog at home until Wednesday, then came up. As soon as Jeanne finishes teaching in the mornings, she zips across the hall in the arts building to the ceramics room, then spends the rest of the day there throwing pots and soaking up the spun wisdom of the potters.
This photo is not in fact Jeanne, but her brother Tom, or at least his hands, pulling up the sides of the pot he’s working on. He’s gotten very good at this. In the background is one of the students, over his own wheel.

That’s Jeanne in the far hazy background, perched on a desk during her class.

And this is Gail , Tom’s wife, teaching her class on stone carving. I appreciate a woman who looks natural with a pneumatic disc grinder tucked under her arm.

I followed Tom from the first centering of this vessel to the last scraping.

One of Jeanne’s students, rapt.

Stone carvers in a row. That’s Tom in the hat at the end.

Tom, beginning to open up the vessel. (I’m leaving out some shots along the way.)

I’m always a sucker for fingernails and a ring that pick up the colors in the palette.

Stonecarvers.

Deepening the vessel. The whole thing strikes me as a magic act. I can make round stuff on a lathe, but it’s purely an extraction process–you start with a nice solid object, affix it firmly to the lathe, lever the cutting tool against the object, and watch the part you don’t want to keep disappear to reveal the part you do want to keep. There is a level of remove–it is more that you watch the cutting tool work in partnership with the wood, than that you “make the bowl.” Watching Tom wrist deep in clay–as much water as dirt, its insolidity essential to the process–his hands secured in their calmness and precision only by his own tendons and muscles, I see him conjure the bowl out of the air, or earth, or the cosmos–it seems to rise into being of its own accord…but “it” must be understood to be both Tom and bowl–he is fully present in the vessel’s rising into being–you can’t distinguish which part is his hands and which part is the mud as “it” comes into being, and even after he takes his hands away and the bowl goes into the oven, that is still true.

More hands conjuring in creation.

You can see Tom’s right index finger moving clay skyward, crawling up the side of the bowl. His left hand presses outward from the inside of the vessel.

Jeanne’s hands helping a student, who watches closely.

Tom cleaning up the inside of the vessel with a scraper. After this he will pass a wire under the bowl to free it from the wheel, let it dry for a bit, then trim the bottom. I don’t have photos after this in the process, but I’ll see what I can get today.